This lot features some extremely rare and collectable items from the life and times of the father of modern surfing, Duke Kahanamoku. The lot breaks down as follows: A. 1914 Mid Pacific Carnival (2 items): Duke Kahanamoku’s 1914 stamp and coin. It is estimated that no more than 200 coins were made. 1912-1920 Duke’s Surfing Sterling Silver (11 items): Sterling silver spoons were a major world wide collectable from the late 1890s to World War I, along with some other sterling silver items. Hawaiian sterling silver items with a surfing image were rare, except for this image of Duke due to his popularity at this time. Duke’s image used in silver items is the same as used in the 1914 Mid Pacific Carnival.There are also 5 amazing Duke Kahanamoku Cards.

As vintage, collectable surf tees go, this lot features the rarest of the rare. An ABC Wide World of Sports crew tee from the 1968 Duke Kahanamoku Invitational, it’s nearly impossible to find. Signed by Greg Noll, Ricky Grigg and Fred Hemmings, the shirt is in excellent condition with one small pen mark on the rear of the left sleeve.

15 mostly original Duke photos spanning from the 1920s to the 1970s, one of the more iconic images in this collection features a photo of Doris Duke with her husband and two of the Kahanamoku brothers.

This lot includes stationary, patches, pamphlets and a signed portrait. There is a very rare and highly desirable tourist pamphlet with Duke on the cover.

The value of Kahanamoku collectibles extends beyond their monetary worth. In Hawaii, Kahanamoku is celebrated as a cultural hero and ambassador of the Aloha spirit, and these collectibles embody the values of humility, grace and inclusivity that he exemplified. For surf collectors, they represent a pivotal figure who revolutionized the sport and inspired generations worldwide. Whether you're a passionate collector, a surfing enthusiast, or simply captivated by Kahanamoku's story, these collectibles offer a tangible connection to his enduring legacy. They honor his contributions to Hawaiian culture and the global surfing community, ensuring that Kahanamoku’s spirit will always be celebrated and remembered.

There has never been a more controversial or unique character in the world of surfing than Craig “Owl” Chapman. Having spanned over five decades on the North Shore as a surfer, competitor, surfboard shaper and survivor, he’s seen and done it all. Bursting on to the scene in the late ’60s, Owl became one of Dick Brewer’s disciples and tutored under the master shaper. Becoming well versed in the art of surfboard shaping, particularly known for “Big Wave Gun” surfboards, of which he is still plying his trade to this day…all the while, surfing big Sunset, Pipeline and Waimea Bay. His prowess as a charger, earned him an invite into the the Duke Kahanamoku Hawaiian Surfing Classic, then considered the most prestigious event on the North Shore. Each of the twenty-four hand picked invitees received a gold plated statuette of the Oscar inspired trophy. The rarity of these trophies have made them one most sought after collectables in the surfing world. This particular trophy comes from the 1974 event, that was held at Sunset Beach and won by fellow competitor, Larry Bertlemann. Condition of the trophy has a well worn patina, crack in the statue base (repaired), rust showing on the etching lettering, wear and tear on the wood base and overall typical for being 50 years old. It’s very rarely to have these trophies come up for auction, but here is your opportunity to own one from a true legend!

A super-sized “Big Wednesday” lot is only fitting for such an influential Hollywood production. A 1978 American coming of age film directed by John Milius and written by Milius and Dennis Aaberg, it is loosely based on their own experiences at Malibu, California. This lot includes two posters, eight lobby cards, six photos, script with separate signed page, two books, Japanese press book, decal and two magazines.

John Severson’s seminal film “Pacific Vibrations,” released in 1979, examines surfing communities and culture in California and Hawaii and deals with the growing ecological problems facing them. Surfers are seen riding huge waves from California's Hermosa and Huntington beaches to Oahu's north shore, Waikiki Beach, and Maui's Honolua Bay. Also depicted are overcrowded beaches, decaying sea life, and the erosion of surf land by the onslaught of industrial expansion and private communities. This impressive lot includes a highly collectable poster, eight lobby cards, 11 photos, press book, two handbills and two fliers.

“The Fantastic Plastic Machine” was a 1969 major motion picture for Twentieth Century Fox and produced by Eric Blum. The documentary film follows a group of California surfers from the Windnsea Surf Club as they journey to an Australian surfing competition after Nat Young won the World Championships in San Diego.

Frothy and lightly sermonizing 1964 Columbia Pictures movie about three California surfers visiting Oahu's North Shore in search of big-wave thrills and tropical romance. Jody Wallis, Steamer Lane, and Chase Colton (Fabian, Tab Hunter, and Peter Brown, respectively) find plenty of surf, and Jody wins the climactic big-wave showdown at Waimea Bay, but each comes to realize that full-time surfing just isn't compatible with responsible adult living. Shelley Fabares (Coach) and Barbara Eden (I Dream of Jeannie) play the two female leads.

One of the most transformative surf books ever written, “Gidget” by author Frederick Kohner captures the early days and innocence of Malibu during the 1950s. Capturing mainstream America’s attention, the book, which romanticizes the life of Kohner's daughter, Kathy who was nicknamed Gidget, during the summer of 1956.

This exceptional collection of Gidget books features a signed copy by Kathy Kohner, as well as four other spinoff novels from the Gidget series, including “Gidget Goes To Hawaii,” Gidget Goes To Rome” and “Gidget In Love.” It’s unusual to see all of these pieces of literature available in one place.

This piece from Bruce Brown’s early film “Slippery When Wet” is highly sought after by the most committed collectors.

As he was just getting his feet under him as a filmmaker, Brown benefited from the support of the Velzy/Jacobs surfboard company, who presented the film in this instance.

While there are a number of thin, paper flyers advertising the movie out there, this one is different. This poster was artfully drawn on a heavier cardboard. There are very few still surviving today. This is your opportunity to own a real piece of history and art.

One of the rarest surf movie posters out there, this lot features a framed poster from Greg Noll’s film “Surfing Highlights.” The poster is dated from a November 10 showing at Pier Ave. Junior High School in Hermosa Beach. Admission was a $1.25.

From an original screening, this poster has been reproduced many times over the years but this is the original thing. Printed in blue and white, the colors are still vibrant with no apparent defects except for a few minor fold lines.

Step into the captivating world of renowned artist John Melville Kelly with this exceptional piece of artwork. Kelly (1878-1962) creative journey began in San Francisco, where he was born and raised before attending prestigious art schools in the city. After a successful career as a graphic artist, including a notable stint at the San Francisco Examiner, Kelly embarked on a one-year assignment in Hawaii in 1923 to illustrate a new housing development on Oahu. Little did he know that this temporary endeavor would forever change his life.

This lot of eight rare, historic postcards spans the time period from the late 19th century to the early 20th century. Offering a glimpse into the evolution of both the postcard medium and the sport of surfing itself, it’s a unique opportunity for both surf and/or paper collectors.

The collection consists of five pre-1907 postcards, also known as "undivided back" postcards, as they only allowed for the mailing address on the reverse side. These postcards were produced during the height of the postcard craze from 1900 to 1920, when postcards became popular tourist items worldwide, including in Hawaii.

This captivating set of six historical engravings spans the years 1785 to 1873. Each engraving captures moments that shaped Hawaii’s evolution and early relationship with Europe.

This set of historical surfing engravings brings together a remarkable collection of artwork, each contributing to the rich tapestry of Hawaiian and surfing’s heritage.

A captivating lithographic print from the mid-1930s, this artwork by Palmer Schoppe offers a unique and stylistic depiction of the surfing culture of its time. Number two of a limited edition of 24, this print showcases two surfers gracefully standing on the shore, their wooden plank surfboards at the ready. In the distance, the sails of sailboats dot the sparkling waters, adding a touch of maritime charm to the scene. What sets this artwork apart is its departure from traditional surfing-related art, offering a glimpse into the mid-1930s artistic aesthetic and the evolution of the sport.

Palmer Schoppe, the brilliant artist behind this mesmerizing print, began his artistic journey at the renowned Art Student's League of New York, where he received instruction from the esteemed artist Jean Charlot. In the 1930s, he found himself in demand as a drawing instructor for both the Chouinard Institute and Walt Disney Studios. Schoppe's focus on figurative subjects, capturing the essence of Southern California life during that era, earned him widespread recognition. His works beautifully portrayed the everyday lives of manual laborers, musicians, circus performers, sunbathers, and, of course, surfers.

This rare surfing lithograph bears the distinguished monogram of the printer, Lynton Kistler, tastefully placed in pencil at the lower left corner, alongside the notation "2/24." These markings not only authenticate the print but also provide valuable insights into its history and provenance. Additional pencil inscriptions include "Surf Boards" in the lower center and "Palmer Schoppe" at the lower right, ensuring the artist's signature is preserved for posterity

The “California Surfriders” Blue Book Edition by Doc Ball is a rare gem that holds immense value and is highly sought after by surf enthusiasts, collectors, and connoisseurs of the sport. This is the second edition published in 1978 with over 30 signatures from members of the Palos Verdes Surfing Club, including multiple signatures by Doc Ball and Tom Blake. Other luminaries have also signed such as Dale Velzy, Lorrin Harrison, Ron Drummond, LeRoy Grannis, and Pete Peterson. There is a postcard signed by Tom Blake and glued to the front cover and three other signed photographs glued to the front and back inside covers. The condition is very good with light wear and gilt title on cover and “Limited Edition by Doc Ball”. Size of the book is 7 7/8” x 11”. There is a nice inscription from surfing pioneer Mary Ann Hawkins (Midkiff) in 1990.

Capture the essence of Duke Kahanamoku, the legendary surfer, with this remarkable drypoint etching by artist Paul De Gaston was created from an original photograph by Alfred R. Gurrey Jr. Crafted using the intricate technique of drypoint etching, De Gaston painstakingly etched Gurrey's Duke photograph onto a copper plate, resulting in a mirror-reversed image when printed onto the paper. This unique process adds depth and texture to the artwork, creating a captivating visual representation of Duke's iconic surfing prowess.

This Duke Kahanamoku drypoint etching is accompanied by a photograph of the original Gurrey photo of Duke, providing a fascinating comparison between the two pieces. Additionally, a photo of a mirror image with the typed line at the bottom in reverse is included, emphasizing the identical nature of De Gaston's Duke artwork.

Step right up and get ready to ride the waves of nostalgia with this incredible set of five small surfboards, each carrying a rich history and unique story. Transporting you back to the vibrant surf culture of Southern California in the 1940s, these vintage treasures are a testament to the enduring allure of the ocean and its captivating allure.

This collection wouldn’t be complete without the iconic “olo” shaped surfboard, crafted from exquisite koa wood. Standing at ten inches tall, this board bears the message “Conserve Water” from the Board of Water Supply in Honolulu, Hawaii. A testament to environmental stewardship even back in 1960, this surfboard encapsulates the essence of responsible coastal living.

One of the most important books in the pantheon of surf literature, “Hawaiian Surfboard” by Tom Blake was originally published in 1935 and was among the first books to depict the act of wave-riding from an expert’s perspective.

A legendary figure that looms large in the world of surfing, Blake was born in Wisconsin in 1902 and two decades later found himself in Hawaii’s century’s old surf culture. Not only a master the art of wave-riding, Blake’s influenced reverberated throughout surfboard design, most notably with his hollow, chambered concepts, which shaved 10s of pounds off of the boards of the day, as well as the removable fin, which opened up a whole new realm of performance experimentation that continues to this day.

In this instance, this particular copy is hardbound and features a very paper dust jacket that is itself highly sought after. Because not many of the paper dust jackets have survived, especially in this condition, this is a unique opportunity.

No surf wear brand is more synonymous with the 1970s, than Lightning Bolt. Started by Jack Shipley and Gerry Lopez, based on their surfboard brand, which by the mid ’70s was THE most famous surf brand in the world.

A rarity in this day and age, this “Unsweetened Hawaiian Juice” tee represented a time and place we all wanted to be. In very good condition with a Lightning Bolt tag, for collectors of vintage tees, especially classic ‘70s tees from Hawaii, this is the real deal and a can’t miss opportunity.

An extremely unique lot for the collectors of vintage clothing, this South Bay Surfers sweatshirt was own by surf photography icon LeRoy Grannis. Manufactured by Pacific Athletic in the late 1950s and early 1960s, it dates back to a time when surf culture was just emerging up and down the California coast.

South Bay Surfers was a small club located primarily on Hermosa Beach that formed in approximately 1960. With ten or less members, meetings were held at the home of surf pioneer Hoppy Schwartz's house. Grannis was a member of this club and this sweatshirt came directly from the Grannis family after he passed. It was one of his favorite pieces pieces of surf clothing. The sweatshirt dates to somewhere between1959 to 1961.

When it comes to core surf history, it doesn’t get any better than his lot. A one-of-a-kind jacket made by Kanvas By Katin for the great photographer Leroy Grannis, it was one of the lensman’s favorite jackets and worn throughout his groundbreaking career. In excellent condition, Grannis’s name is embroidered on the breast. It also features patches from the Duke Invitational surf contest and International Surfing Magazine, which he was the photo editor of.

A very rare surf artifact, the jacket was attained from his son John Grannis, and made in the 1960s.

There simply is no other jacket like this in the surf world, and whether you’re a collector, surf photographer or just looking for that special something that is unavailable anywhere else, this is truly a special opportunity.

An extremely hard to find Rat Fink sweatshirt from Cheetah Manufacturers circa the 1970s, as well as a number of highly collectable decals and posters. Created by Ed "Big Daddy" Roth, an American artist, cartoonist, illustrator, pinstriper and custom car designer and builder who created the hot rod icon Rat Fink and other characters, this lot harkens back to a time when style ruled supreme.

An ode to the tradition of Hawaiian big-wave surfer and features Ken Bradshaw’s a signed warmup set of jacket and pants from the Duke Kahanamoku Invitional.

Making his mark during the 70’s, 80’s and into the 90’s, Bradshaw is considered one of the most accomplished big-wave surfers ever. A fixture at Sunset Beach, where he lived, he was especially known for his big-wave exploits at Waimea Bay.

He was acknowledged to have ridden one of the biggest waves ever recorded at the time, at huge outside Pipeline reef that exceeded 50 feet.

A very aggressive surfer, he channeled that into competitive prowess, winning the most prestigious surfing event of the era, the Duke Kahanamoku Invitational Surfing Championships in 1982.

On offer, is Bradshaw’s personal Duke warmup suit, that has been signed by Ken and features the Duke patch on the top and matching bottoms.

In the 1950s surf apparel had yet to come really become a thing. Early surfers experimented with a variety of possible solutions, from old, woolen “bathing costumes to cut-off jeans, it wasn’t until Duke Boyd and Doris Moore founded a small company in 1960 and they used the surf term, “Hang Ten” as their name that “surf trunks” entered the public consciousness. With their famous fee as their logo, they took off.

This lot includes a late ‘90s era Hang Ten windbreaker jacket in good condition with minor wear from use. The lot also features several pairs of classic Hang Ten trunks from the ‘60s and ‘70s that represent the gold era of the brand. Most are canvas or heavy cotton. All are in good condition with minor wear from use.

An extremely rare hard to find T-shirt is this Dewey Webber surfboard presents the Peff Eick Invitational Longboard Contest 1981. Beautifully designed with performance center photograph and Oval blue do we read Weber red and white all on the back nothing on the front of the T-shirt. T- shirt manufactured and sponsored by Op.

In the mid 1970s skateboard culture was just taking off as the four-wheeled pastime was taking to the streets and backyard pools. This lot is a celebration of those heady early days.

The cornerstone of this lot is a vintage ‘70s Skateboard Magazine team jacket. Featuring the Skateboarder Magazine team patch on the front and “Sweetwater Saints” emblazoned on the back, the letters are machine sewn on.

In 1914, Gurrey published his seminal work, “Surf Riders of Hawaii.” Widely considered the first-ever book on surfing, it’s an invaluable resource in the study and celebration of the early history of surfing in Hawaii. The book was initially published by the C. A. Brown & Co. publishing house, which was based in Honolulu, Hawaii.

The original publication of “Surf Riders of Hawaii” introduced the world to the beauty and excitement of wave riding, a phenomenon that was relatively unknown outside of Hawaii at the time. Gurrey's book played a crucial role in popularizing surfing and raising its awareness to a much broader audience.

Since its initial publication, “Surf Riders of Hawaii” has become a cherished piece of surfing history. While it has been reprinted over the years, both the reprints and the original copy, as available here, are consistently among the most sought-after items in auctions. There’s simply nothing else out there like it. The book’s historical importance, combined with its captivating imagery, artistic sensibilities and engaging narrative, has solidified its place as a significant contribution to the literature surrounding surfing and the unique lifestyle and culture associated with it in Hawaii.

One of the most important books in the pantheon of surf literature, “Hawaiian Surfboard” by Tom Blake was originally published in 1935 and was among the first books to depict the act of wave-riding from an expert’s perspective.

A legendary figure that looms large in the world of surfing, Blake was born in Wisconsin in 1902 and two decades later found himself in Hawaii’s century’s old surf culture. Not only a master the art of wave-riding, Blake’s influenced reverberated throughout surfboard design, most notably with his hollow, chambered concepts, which shaved 10s of pounds off of the boards of the day, as well as the removable fin, which opened up a whole new realm of performance experimentation that continues to this day.

Today, original copies of “Hawaiian Surfboard” are highly sought after by collectors and fetch prices in the thousands of dollars. Due to their scarcity and historical significance, these editions hold great value. Depending on the condition and edition, original copies of the book can command significant prices in the market. Their worth extends beyond monetary value, representing a tangible connection to the roots of surfing and the pioneering spirit of Tom Blake.

In this instance, this particular copy is inscribed and signed by Blake himself. The inscription reads:

“With serviced appreciation of a master craftsman, from Tom Blake, 1935”

“California Surfriders” is not just a book; it is a timeless masterpiece that encapsulates the spirit and essence of the surfing culture in California. Authored by the legendary Doc Ball, this particular copy holds a significant place in the surfing world as it is an original edition in very good condition and carries the coveted signature and note by the author, dedicated to the esteemed surf photographer LeRoy Grannis.

The significance of this particular edition, signed by Ball himself, adds an invaluable touch of authenticity and historical weight. It serves as a tangible link to the era when the surfing world was in its formative years, capturing a time of exploration, innovation, and unadulterated passion. For surf enthusiasts and collectors alike, this rare copy of “California Surfriders” is a prized possession, representing a true piece of surfing history.

A treasured artifact that combines stunning visuals, captivating storytelling, and the added allure of an original edition signed by Ball, this book stands as a testament to the indelible impact of California’s surf culture and serves as a timeless tribute to the beauty and thrill of riding the waves.

This extraordinary collection of two rare A.R. Gurrey photos captures the essence of early Hawaii circa 1908. Gurrey, a pioneer in his own right, dedicated his lens to documenting the vibrant world of surfing during its infancy. His masterful eye captured the raw energy, skill, and sheer joy of the early surfers who ventured into the majestic waves that grace the shores of the Hawaiian Islands. These vintage photographs offer a rare glimpse into a time when surfing was not just a sport but a way of life—a cherished tradition woven into the very fabric of Hawaiian culture.

The collection comprises a pair of iconic images, each meticulously preserved, presenting a vivid tapestry of Hawaii's rich surfing heritage. Gurrey's lens transports us back to a time when the art of wave riding was both a community pastime and a spiritual connection to the ocean. Both photographers are framed together and in very good condition. Whether it's the gracefully arched form of a surfer gliding across a wave or the vibrant interplay of light and shadow, these images evoke a sense of awe and reverence for the ocean's boundless power.

The first engraving, titled “Surfing at Waikiki - The Start,” depicts a mesmerizing scene of surfers preparing to catch a wave. Luquiens skillfully captures the energy and anticipation of the moment. The artwork bears the artist’s pencil signature “HM Luquiens” in the lower left corner and the inscription “HM Luquiens 1920” within the image.

The second engraving, untitled but equally captivating, portrays a surfer executing a remarkable headstand while riding the waves at Waikiki. Five onlookers grace the scene, with one person relaxing on their back in the same wave, and four others standing in the water. A surfer near the right side of the image holds a surfboard, adding an element of authenticity to the composition. Like the first engraving, it is signed by the artist in pencil, with the inscription "HM Luquiens 1920" appearing in the lower left corner of the image.

Rick Griffin and Greg Noll found each other when both were on the brink of changing the sport, culture and lifestyle of surfing. Converging in Los Angele’s heady South Bay, Noll famously hired Griffin to create artwork for his price lists and posters. This lot includes three rare examples of this partnership.

The final piece here is a poster for Greg Noll Surfboards and Film Productions. Featuring a crew of Griffin surf characters playing music, holding a mug of beer and having a grand old time, Griffin’s personality is in full display here.

All three posters are in very good condition and have been meticulously preserved.

This lot includes a handful of early decals featuring Rick Griffin’s surf-stoked artwork. From Surfer magazine’s Murphy character, to Greg Noll surf films and surfboards, and the Challengers surf band logo, this grouping holds a special place in the hearts of Golden Era surf collectors.

One of the most sought-after decals is the Surfer magazine’s Murphy character. With his mischievous grin and unmistakable charm, Murphy embodied the spirit of the era’s surf culture. Created by Griffin for Surfer magazine, Murphy became a beloved symbol of the surfing community. The decal, preserved in pristine condition, captures the whimsy and adventure associated with the sport, making it a treasured piece of surfing history.

The centerpiece of this remarkable assemblage is a large signed poster, the crown jewel that captures the essence of the film. Autographed by the legendary filmmaker Bruce Brown and the film’s co-stars Robert August and Mike Hyson, this poster is a testament to their contributions to surf culture and how they collectively inspired generations of wave riders to get out there and chase the sun.

Also included in this lot is a rare poster from the South African release of “The Endless Summer.’ A genuine rarity, it’s printed with vivid colors and has been preserved in very good condition.

Furthermore, this extraordinary collection includes a range of printed materials from the film's original 1964 release. Dive into a trove of vintage treasures, including press kits, press photos, and promotional brochures, which offer a fascinating glimpse into the cultural impact of “The Endless Summer” when it was still new to the world. These well-preserved relics provide a tangible connection to the film's era and its lasting influence on surf culture.

When it comes to the art of surfboard shaping, no other tool is more emblematic or greater utilized than the SKIL 100 planer. Invented by Henry Spitzley in the late 1940s, the planer was originally devised to help with the post World War II construction boom. The concept behind the invention was to create a portable power-driven planer with speed and efficiency. Portable electric planers of the time were so large, that they often required two workers. He also wanted to improve the planer depth regulating devices of the time to create a depth control that allowed for close tolerance cuts.

While newer planers have entered the market, the SKIL 100 planer remains an iconic tool cherished by those who value tradition and craftsmanship. Its legacy continues to inspire shapers to strive for excellence, pushing the boundaries of surfboard design and performance. Today, as surfboard shapers meticulously rebuild and maintain their SKIL 100 planers, they honor the history of the craft and ensure that this beloved tool remains an integral part of the shaping process.

Holding a significant place in surfing’s rich During the mid-‘30s, Ball revolutionized the surf photography scene by documenting early surf culture in California. Drawing inspiration from his mesmerizing photographs, he skillfully crafted quality posters that enticed surf enthusiasts from far and wide. Printed with meticulous attention to detail, these tickets ranged in size from wallet-sized versions, which served as your coveted entrance pass, to larger 8" x 10" posters that displayed the captivating imagery captured by Ball. Each ticket was a work of art in its own right, a testament to the passion and creativity of Ball and a rare artifact of California surf history.

With their scarcity and profound significance, they represent a tangible connection to the golden age of surf culture and the visionary genius of Ball. Owning these authentic tickets allows you to hold a piece of history in your hands and become part of the legacy.

In extremely good condition given their age, don't miss this extraordinary opportunity to own a piece of very rare California surf history. Embrace the spirit of the 1930s and immerse yourself in the magic of the Palos Verdes Hula Luau with these genuine 1930s Palos Verdes Hula Luau Tickets.

A legendary figure that looms large in the world of surfing, Blake was born in Wisconsin in 1902 and two decades later found himself in Hawaii’s century’s old surf culture. Not only a master the art of wave-riding, Blake’s influenced reverberated throughout surfboard design, most notably with his hollow, chambered concepts, which shaved 10s of pounds off of the boards of the day, as well as the removable fin, which opened up a whole new realm of performance experimentation that continues to this day.

Frank Davey, a celebrated photographer renowned for his ability to capture the essence of his subjects, expertly frames Kauha within the backdrop of his era. The photograph presents Kauha in traditional attire, revealing intricate details of his clothing and accessories. His dignified expression and poised demeanor reflect the gravity of his role as a leader within his community.

This remarkable lot features some of the earliest published works of artist Rick Griffin. Showcasing Griffin's emerging artistic brilliance and keen sense of humor, the lot includes two issues of Surfer Toons from 1963-64, The Surfing Funnies and the Cartoon History of Surfing, both presented by Greg Noll, as well as The Challengers Band cartoon book, a copy of the iconic Tales From The Tube comic and the illustrated Gospel of John and more.

A hard-to-find gem for surf and book collectors, Phil Edwards’ autobiography is a must have. This particular copy features Edwards signature on the inside title page, adding to the tome’s collectability.

The book is sequenced chronologically, from Edwards' early surfing years at Oceanside in the late '40s, to designing and manufacturing boards for Hobie Surfboards, to judging the 1964 World Championships in Australia. Neither Edwards or coauthor [Bob] Ottum ever revealed how the writing chores were divided, but Edwards is the first-person narrator throughout.

Holding a significant place in surfing’s rich history, the images has been featured in various surf history books, including the esteemed volume "Surfing: A History of the Ancient Hawaiian Sport" (page 65).

The Hui Nalu Surfing Club, loosely organized in 1905 and formally established in 1911, played a pivotal role in shaping surfing’s resurgence in Hawaii after the turn of the century. A gathering of passionate surfers and paddlers, predominantly comprised of individuals of full or partial Hawaiian descent, this iconic club, led by the legendary Duke Kahanamoku and his brothers, offered a welcoming haven for Hawaiians during a time when the newly formed Outrigger Canoe Club had restrictions on indigenous membership.

A unique look at surfboard development and the times the designs emerged. The set is divided into two distinct groups, Hawaiian and Modern, with the Hawaiian selection representing the earlier and oldest wooden examples, while the Modern selection showcases expertly crafted wooden surfboards.

This early John Severson block print holds a unique place in Surfer Magazine collectables and ephemera. Featured in early Surfer Magazine promotional material and logos, the block print design captures the infectious energy and stoke of the early Surfer movement.

From the personal estate of Dale Velzy comes one of his original cowboy hats and bolo ties. He sat at the forefront in the 1950s as one of the first to mass produce surfboards and define shapes which still influence today’s shapers.

Velzy was also known equally for his love of hot rods and “cowboy’in”. He owned horses he rode in Redondo Beach when not shaping. From 1966- 1970, he worked on a ranch in Arizona, then returned to San Clemente where he had horses and was a member of the famous Portola Riders.

Jack London, the famous author and adventurer, wrote the magazine article “A Royal Sport” and the book “The Cruise of the Snark”(1911), each of which exposed and promoted surfing to a worldwide audience.

His five- month stay on the islands of Oahu, Maui, Molokai and Hawaii in 1907 included entertaining with the deposed Queen Liliuokalani and learning to surf. In 1907 he was the world’s highest paid writer and embarked on a two year cruise on the Snark to Hawaii and the South Seas. He and his wife also visited Hawaii in 1915 and 1916. This lot includes three times from London’s remarkable life.

in the

1990s Clark Foam and Hitachi teamed up to release the Hitachi P20SB planer exclusively modified to shape boards. Made with the idea that there was a market for an affordable planer designed specifically for surfboard shapers.

The stock unmodified Hitachi P20SB planer has been discontinued and taken out of production, so brand new stock planers are non existent. The only stock planers left for modifying are “used” ones from private parties.

In this instance this Clark/Hitachi planer is still in its original box with original instructions and attachments. Lightly used, it is in very good, working condition.